It was very exciting when a client hired me to digitize a large part of her collection of her late mother’s fashion illustrations.
Fashion illustration was the main form of advertisement for fashion designers, clothing manufacturing companies and department stores. The designs were not only displaying the styles of their day but also a certain lifestyle.
The collection I worked with consists of fashion illustrations from the mid 1930s, fashion sketches on full double-sided magazine style spreads from the 1940s and 1950s, and lots and lots of smaller ‘practice’ works. Women’s faces and figures, hairstyles, hands, gloves, shoes, house dresses, evening gowns, aprons, underwear, handbags, beach scenes, scenes with children and babies, neatly sketched bottles advertising the benefits of face lotion and powder, ladies’ fashion patterns, advertising for ‘floral seer sucker frocks’ and ‘toddler straw bonnets’. Full page drawings enticing the women of the time to buy dresses in ‘linens, to take you through the summer in cool, crisp perfection’ and beautiful evening gowns which were ’emblazoned with the royal signature to put you in the mood for the festivities of coronation year’.
Did I mention I love my job? I spent many happy hours photographing the vast array of sheets of lose papers of all kinds with overall very little damage. Mostly, the sheets have yellowed with age and there’s always the odd specks and stains. And odd paper sizes. The most damage consisted of creases and folds and bent pages.
My brief was to digitize, not only for safekeeping and convenience of sharing the images with family abroad, but also to enable the client to use some of her late mother’s works to create anything from wallpaper to pillow covers to greeting cards.
For privacy reasons I cannot show you too much of this collection, but I have put together some links for you to have a peek at. They should give you a great idea of the beauty I had before my eyes that day 🙂
Fashion illustration from the 1930s, the 1940s and the 1950s.
As I mentioned the most damage was creases and bent pages. I show you a few examples of what I mean:
I call it digital ironing. It may seem like a quick fix and move on, but it’s not. And being me, there’s a lot of fine tuning and coming back to the same work several times because I may have overlooked something. And there’s always the danger to ‘overdo it’ in Photoshop, especially in this job, where the brief was to maintain the original character of the work, so I tried hard to get each image as close to what it would have looked like on the day it was created.
But yes, creases = digital ironing, you get the picture 😉