Tag Archives: azpictured

Popping Colour

Colour pop is a photography term that is described as ‘a digital effect in which part of an image is shown in colour, the rest of the image being in grey or a dull monochrome’.

All in all it doesn’t sound too fancy. It is an effect that is used a lot in photography. Some might say it is being overused. It is not a difficult effect to achieve, many cameras and apps are designed to get the job done quickly and easily, and to give photos a dramatic look by converting them to grey or black and white, and keeping a select detail in colour.

However, even though it is considered a bit daggy by many photographers, it is very popular with the wider public. It is a fun look, that can be very effective. The viewers eye and attention is drawn to the coloured areas, making it altogether a striking image and a good experience for your eyes.

Naturally, I’ve played around with it, too, although trying to stay away from the cliche red umbrella in the black and white rainy landscape. It’s a fine line.

Using local scenes, this is some of what I’ve come up with so far.

colourpop

 

 

 


Copies Rock

If you’ve been following my little blogging attempts for a while you’ll know that I have a great passion for old photos. Looking at them, talking about them, the people and places they show, and also displaying them. It’s my thing.

While a lot of people have kept negatives and slides from decades ago, and have the printed photo in an album or a picture frame, most would be hard pressed to find that particular negative or slide to have another print made, should their first print get lost or damaged in any way. And the vast majority of people do not even have any negatives or slides, either because they were thrown out eons ago or because their old photos are from a time where there weren’t any negatives. Or the photo they have hanging on the wall in their bedroom was done by a professional photographer, who didn’t hand out negatives or copies.

Displaying an original is not a good idea, because it definitely will get exposed to light (sunlight or artificial light) and very likely get exposed to dust, humidity, to the acids in non-archival frames, backings and matting, or get stuck to the glass of the frame, which happens more often than you might think.

Have a look around your home: if you have any photos displayed – and you should 🙂 – are they the originals?

If they are, I suggest you tackle this task over your next free weekend, and have copies made, or make them yourself. Then you put the copy back up in its frame on the mantle piece and the original photo safely in an archival album. That way your original is not in any danger.

If it is already a copy, well done. Better check you still have that original, or the negative, or the slide, and if not, get a copy of that copy.

To get copies is so easy these days:

  • Use your copy/printer and simply print a copy of your photo. Naturally a copy on ordinary white copy paper won’t deliver a flash result, maybe you want to look into investing in some proper photo paper, it has come down in price a lot in recent years
  • Maybe you have a copy/printer + scanner. Scan your photo, save it on a thumb drive and go to your nearest photo print place. Prints cost next to nothing these days, and if it’s a good photo print place, they will be able to assist you if you have any questions.
  • If you have a fancy camera: put your photo on a flat white surface in a well lit room (no direct sunlight) and take a photo of your photo. You can then either upload on a computer or laptop or take your memory card directly to a photo print place. Or print it yourself if you have a decent printer and want to invest in photo paper.
  • Use your smartphone as you would the fancy camera.

Old photos in particular have odd sizes. Simply print bigger and use some fancy scissors to cut them out, like I did with the two shown in the picture.

Copies rock

Copies rock. I have a whole lot of them of original family photos like that, and I change them around all the time 🙂

 

 


Digital Ironing

It was very exciting when a client hired me to digitize a large part of her collection of her late mother’s fashion illustrations.

Fashion illustration was the main form of advertisement for fashion designers, clothing manufacturing companies and department stores. The designs were not only displaying the styles of their day but also a certain lifestyle.

The collection I worked with consists of fashion illustrations from the mid 1930s, fashion sketches on full double-sided magazine style spreads from the 1940s and 1950s, and lots and lots of smaller ‘practice’ works. Women’s faces and figures, hairstyles, hands, gloves, shoes, house dresses, evening gowns, aprons, underwear, handbags, beach scenes, scenes with children and babies, neatly sketched bottles advertising the benefits of face lotion and powder, ladies’ fashion patterns, advertising for ‘floral seer sucker frocks’ and ‘toddler straw bonnets’. Full page drawings enticing the women of the time to buy dresses in ‘linens, to take you through the summer in cool, crisp perfection’ and beautiful evening gowns which were ’emblazoned with the royal signature to put you in the mood for the festivities of coronation year’.

Did I mention I love my job? I spent many happy hours photographing the vast array of sheets of lose papers of all kinds with overall very little damage. Mostly, the sheets have yellowed with age and there’s always the odd specks and stains. And odd paper sizes. The most damage consisted of creases and folds and bent pages.

My brief was to digitize, not only for safekeeping and convenience of sharing the images with family abroad, but also to enable the client to use some of her late mother’s works to create anything from wallpaper to pillow covers to greeting cards.

For privacy reasons I cannot show you too much of this collection, but I have put together some links for you to have a peek at. They should give you a great idea of the beauty I had before my eyes that day 🙂

Fashion illustration from the 1930s, the 1940s and the 1950s.

As I mentioned the most damage was creases and bent pages. I show you a few examples of what I mean:

DigitalIroning

DigitalIroning2

I call it digital ironing. It may seem like a quick fix and move on, but it’s not. And being me, there’s a lot of fine tuning and coming back to the same work several times because I may have overlooked something. And there’s always the danger to ‘overdo it’ in Photoshop, especially in this job, where the brief was to maintain the original character of the work, so I tried hard to get each image as close to what it would have looked like on the day it was created.

DigitalIroning3

But yes, creases = digital ironing, you get the picture 😉

 

 

 

 

 

 

 

 

 


Setting the Angel free

Expanding my collection of dog silhouettes, I’ve added some marble dogs. A customer inquired whether I have any designs that are not ‘that colourful’ but rather monochrome. As I didn’t I felt it was high time to change that, especially since marble is one of those timeless classics that will never really be out of fashion when it comes to interior design. In fact, 2015 saw once more the rise of this elegant material not only as floor and wall covering but also as material for a multitude of decor items, from marble cubes to marble fruit, plant containers, clocks and even tea cups, and it is sure to be a trend to hang around for some time.

So, marble. I was doing some research, and there are about a gazillion different types of marble, which you can look up here, if you’re interested, however, for me, the only name that pops into my mind is Carrara marble. Carrara, Italy. The city Carrara is in Tuscany, a bit north of Florence, and, interestingly, it’s motto is Fortitudo mea in rota (Latin: “My strength is in the wheel”). I suppose it makes sense, considering that the wheel would have played a big role in the marble production for centuries.

I have never really owned any marble items, other than the black cube which you can see in the photos next to the marble dogs, and whilst I have been in Tuscany, I have never been to Carrara. However, I can claim some first-hand knowledge and photos, as my husband was there in 1989. Obviously, marble blocks are big, and the pictures, apart from the wiring and some machinery, remind me a lot of Asterix and Obelix comics 🙂

Carrara

Clearly, it is quite a beautiful product. I’m probably reaching a bit far when I quote Michelangelo here: ‘I saw the angel in the marble and carved until I set him free.’ If nothing else I managed to weave this quote, which long has been a favourite, into a blog post of mine 🙂

As always, my marble dogs are available in my Made It store.